/page/2
otooles:

Nina Simone photographed by Charles Sawyer

otooles:

Nina Simone photographed by Charles Sawyer

(via monamade)

Black Chamber of Commerce host to mayor of Esmeraldas, Ecuador

lati-negros:

The first black mayor of Esmeraldas, Ecuador, visited Waukegan on Friday in search of sister-city economic partnership and cultural exchange.

Ernesto Alonso Estupiñan Quintero, an Afro-Ecuadorian who has led the oil- and fishing-port city of Esmeraldas since he was first elected in 2000, looked out on a room full of faces at the Black Chamber of Commerce of Lake County headquarters and said, through an interpreter, “I feel at home. I have reunited with my family.”

Afro-Ecuadorians are descendants of black Africans who escaped from Spanish slave ships. While they make up just 3 to 5 percent of the South American country, they are 70 percent of the population of Esmeraldas, home to Ecuador’s largest oil refinery. They have struggled to overcome poverty and racism, Estupiñan Quintero, said.

(via black-culture)

anacostiayogi:

Binahkaye of Joyism coined the term “Bootylogy” as she circled her booty from Trinidad to India activating open spaces and elevating spirits.
Binha teaches dance, writes short stories and showcased her remarkable acting skills in the play The Saartjie Project based in DC.
Find Binha at http://www.dancejoyism.com
Photo 1 by Renaldo De Silva Photography
Photo 2 by Colin A Danville

anacostiayogi:

Binahkaye of Joyism coined the term “Bootylogy” as she circled her booty from Trinidad to India activating open spaces and elevating spirits.

Binha teaches dance, writes short stories and showcased her remarkable acting skills in the play The Saartjie Project based in DC.

Find Binha at http://www.dancejoyism.com

Photo 1 by Renaldo De Silva Photography

Photo 2 by Colin A Danville

(via monamade)

37thstate:

African Turbanista

(Source: africanfashion, via porquepuedopuedes)

THERESA HAK KYUNG CHA

“DISEUSE

 

She mimicks the speaking. That might resemble speech. (Anything at all.) Bared noise, groan, bits torn from words. Since she hesitates to measure the accuracy, she resorts to mimicking gestures with the mouth. The entire lower lip would lift upwards then sink back to its original place. She would then gather both lips and protrude them in a pout taking in the breath that might utter some thing. (One thing. Just one.) But the breath falls away. With a slight tilting of her head backwards, she would gather the strength   in her shoulders and remain in this position.

It murmurs inside. It murmurs. Inside is the pain of speech the pain to say. Larger still. Greater than is the pain not to say. To not say. Says nothing against the pain to speak. It festers in-side. The wound, liquid, dust. Must break. Must void.

From the back of her neck she releases her shoulders free. She swallows once more. (Once more. One more time would do.) In preparation. It augments.   To such a pitch. Endless drone, refueling itself. Au-tonomous. Self-generating. Swallows with last efforts last wills against the pain that wishes it to speak.

 

She allows others. In place of her. Admits others to make full. Make swarm. All barren cavities to make swollen. The others each occupying her. Tumorous

 

layers, expel all excesses until in all cavities she is flesh.

She allows herself caught in their threading, anony-mously in their thick motion in the weight of their utterance. When the amplification stops there might be an echo. She might make the attempt then. The echo part. At the pause. When the pause has already soon begun and has rested there still. She waits in-side the pause. Inside her. Now. This very moment. Now. she takes rapidly the air, in gulfs, in prepara-tion for the distances to come. The pause ends. The voice wraps another layer. Thicker now even. From the waiting. The way from pain to say. To not to.  Say.

She would take on their punctuation. She waits    to service this. Theirs. Punctuation. She would become, herself, demarcations. Absorb it. Spill    it. Seize upon the punctuation. Last air. Give    her. Her. The relay. Voice. Assign. Hand it. De-liver it. Deliver.

She relays the others. Recitation. Evocation. Offer-ing. Provocation. The begging. Before her. Before them.

 

Now the weight begins from the uppermost back of her head, pressing downward. It stretches evenly, the entire skull expanding tightly all sides toward the front of her head. She gasps from its pressure, its contracting motion.

Inside her voids. It does not contain further. Ris-ing from the empty below, pebble lumps of gas. Moisture. Begin to flood her. Dissolving her.  Slow, slowed to deliberation. Slow and thick.

The above traces from her moving downward   closing her eyes, in the same motion, slower parting her mouth open together with her jaw and throat which the above falls falling just to the end not stop-ping there but turning her inside out in the same motion, shifting complete the whole weight to elevate upward.

 

Begins imperceptibly, near-perceptible. (Just once. Just one time and it will take.) she takes. She takes the pause. Slowly. From the thick. The thickness. From weighted motion upwards. Slowed. To deliber-ation even when it passed upward through her mouth again. The delivery. She takes it. Slow. The invok-ing. All the time now. All the time there is. Always. And all times. The pause. Uttering. Hers now. Hers bare. The utter.”


Ibu Aña Oxun

sexualvoodoo:

Paths of Oshun

Ibu Kole

This path of Oshun is known as the vulture. Ibu Kole is the Oshun that reached the house of Olofi to tell him that the people on the lands were dying of thirst. With that said Olofi took off the punishment off the land and let rain fall again. This Oshun is said to be a very magical witch. She takes 5 little mortars where additional secrets are kept where her initiate can make powerful spells. Her colors are honey, coral, amber and onyx stone. She is adorned with feathers of a vulture. Her children must have a guiro where an Osain is kept that hangs over her to keep Ibu Kole in one spot and to make sure she is there in here tureen. When this Oshun comes down she dances like if she was a bird, swaying her arms up and down as if she was in flight.

Ibu Ololodi

This Oshun is said to be a great warrior. She wears pants when she goes to war. She rides on a horse and she uses a sword in battle. Ibu Ololodi is also the wife of Orula and she is his preferred apetevi. Her enemies can never defeat her. She protects her children to the up most. She takes the table of Ifa with the ekueles and the irofa. You can put iron implements to her. The owl is her messenger and she is invoked with a copper cow bell. Ololodi also takes a needle and thread as she is seen sewing on her off times at the bottom of the river. She is the mother of Aporoye and Oloshe. This Oshun takes everything double due to a pact she did with Boyuto. If you give her a mirror another one should be placed to her. If you give her one bottle of perfume there has to be another. She is the protector of the home. When this Oshun comes down she is very repugnant and she speaks very stern to her followers. Her colors are honey, coral with touches of green and yellow to represent the marriage she had with Orula.

Ibu Akuaro

Ibu Akuaro is the Oshun that lives where the river and the ocean meet. She is said to live and reign there. She loves the corodniz (cornish hen) and they are here messengers. It is said that with the feathers of the corodniz, you must sew her a net that lives on her. This is due to a story where she was running from Chango and a group of corodniz covered her completely so Chango would not find her. She takes a cane which is covered with the feathers of the corodniz as well and is consecrated where the river and ocean meet. Her colors are a pale yellow, coral, onyx, green and white. When Ibu Akuaro comes down she is seen to be shaken, imitating the corodniz.

Ibu Yumu

She is one of the oldest Oshun. She lives at the bottom of the river sewing as she knows the craft to sew beautiful cloths. She doesn’t like to be bothered that much as she sits in her rocking chair at the bottom. When she is bothered she comes out from the bottom of the river and she fights. She as well as Ibu Ololodi is called with a copper cow bell. This path of Oshun is hardly to come down.

Ibu Aña

This Oshun is very young and she loves to dance. She is said to be where ever the Aña (sacred drum) is playing. She dances all day and all night until the Aña stops playing. At her tureen you must have 3 little drums that represent the Aña at her feet. She is always dancing in front of the drums holding her breast and laughing. A child of this particular orisha is said to always be partying and dancing and whenever they step into a ceremonial drumming, if they are a horse of the orisha, Ibu Aña will make her presence. Her colors are honey, yellow, coral, onyx and red. When she comes down she is always dancing and may take the time out to speak to her followers.

Ibu Ileke Oñi

This Oshun is a fighter and she gets what she wants. When she is determined she gets her results. This Oshun walks with a walking stick and she is always seen near the river banks covering her body with her honey. If she is not near the river you can see her next to a pariso tree. She walks with a net that’s tied around her waste. This Oshun has 4 necklaces that she wears. One is made of the peonia seeds, other is made of all coral, another of all onyx stones and a bead of honey and yellow beads.

Ibu Itumu

This path of Oshun is said to reside in the lagoons. She is always dressed in pants and a shirt like a man. She is very tall and she is always seen with Inle and Asojano.

Ibu Aremu Kondano

This Oshun is said to be the first Oshun that ever came down from Olofi’s castle to the earth. She is dressed all in white and her color is off white with coral with just a touch of yellow and green. She is said to have helped Orula out is certain occasions. She is very mysterious.

Ibu Asedan

This path of Oshun is said to be also a warrior. She rides a horse as well as Ibu Ololdi when she is at war. This Oshun is seen with a sword in one hand riding to battle. Her sacrificial foods must be offered with a ring or gold oar through its nose. Her color is honey, yellow, red and onyx.

Ibu Eyede

This is Oshun is known to be a queen. She is seen with all her fine dresses and jewelry. She doesn’t like anything dirty or messy around her. Her sacrificial foods are sacrificed on top of a yellow plate that sits next to her.

Ibu Iña

This Oshun loves to debate and argue. She is a rare Oshun and is always seen by the river sands combing her hair with her coral comb. She loves to cook and she loves to fan herself with her fan made of African grey tail feathers and bells.

Ibu Iñale

This is the daughter of Ibu Aña. She lives on the beach and river sands on top of all types of money. She does not like to give money as it is all for her.

Ibu Tinibu

This also is a rare Oshun. She is the boss of the Iyalordes. She loves to go out at night never during the day. She is said to be riding the river in a boat listening and answering her petitioners.

Ibu Idere Lekun

This Oshun lives in the caves alongside the sea where the waves enter and hit the rocks of the caves. Where they turn into rivers and travel on the inside of mountains. She has a deformed face and she is seen playing a small drum made out of bamboo.

Ibu Aye

This is an orisha that maintained and positioned the riches of Oshun on earth. When Oshun was spending her money like crazy she found herself without any money. Ibu Aye reaffirmed her money and showed her the right way to maintain and control it. This is a orisha that is received on its own. Her color is honey, onyx and her necklace is made the same with 5 shells intertwined in between.

Ideu

This is said to be the lost child of Oshun. Where Iroko took him from her for the promises that she owed Iroko. He is the third child that Oshun had after the twins. He is received on its own and is said to watch over the riches of his mother Oshun. He lives in a yellow tureen where his secrets are kept with a doll of a boy dressed in yellow. His original bead is yellow with red stripes on them, gold and coral.

Ajé Shalunga

Ajé Shalunga or Cobo is the orisha of prosperity and abundance. He is used to help bring money and prosperity into ones life if there are worthy and right for it. His secrets are kept in a small sopera or vessel and his secrets are slightly born in a different way as to the other orishas. Same chants and sacrificial foods, but certain things change when he is born that cant be discussed here. He is also born with multiple coins from all parts of the world. It is said that when he is born, depending on the sign that he comes with, he will live next to a certain orisha in which he will bring prosperity to you. Only if your worthy! Don’t think by receiving him you are going to win the lottery or anything. Only if Olofi says your worthy for that. But health is also another form of prosperity and that he can bring to you. He has no specific color but his chain is made of different shells and coins.

Yeye Lamba

This is an orisha that is said to have been the cook of Oshun. She taught Oshun how to cook all sorts of sweets and foods for her town. She is an orisha that is received and her tureen is kept either with the other orishas or live near or in the kitchen. Alongside her secrets, one puts a wooden spoon and fork to her with different bags of dried foods.

(via theanimalnamesofplants)

naijaboi:

Wangechi Mutu is Afrofuturism
as part of my study i have been researching afrofuturism and am loving wangechi mutu. she is a fierce as visual artist/ new media artist who work challenges the notions of womyn of color specifically black womyn in africa and the us. she is kenyan born and now lives in brooklyn.
she explores themes dealign with the depiction of womyn/ race/ class.  her themes are post-colonial, sexism, racism, environmental racism, commodification.
you can find more info on her online.

here is the trailer for wangechi mutu

http://vimeo.com/41293786

The triptych: Wangechi Mutu

she is part of a three part documentary afro punk collective has done. tickets are $12. 

Brooklyn Musuem


Film Screening: Afro-Punk Pictures in association with Weeksville Heritage Center presents The Triptych

Thursday, May 24, 2012 at 7 p.m. 

Afro-Punk pictures presents The Triptych (Dir. Terrance Nance, Codir. Barron Claiborne, Dir. of Photography Shawn Peters), in association withWeeksville Heritage Center. This short-film series highlights the work of artists Sanford Biggers, Wangechi Mutu, and Barron Claiborne. Live music and a Q&A with the artists will follow the screening. This event is supported by Heineken.

As space is limited, advance purchase of nonrefundable tickets for general admission and a reserved seat at the screening is recommended via www.museumtix.com. Members receive free admission; please call the Membership Hotline at (718) 501-6326 for reservations.

(via afrofuturistaffair)

vintageblackbeauty:

Femme Sonraï
Femme avec coiffure.
1954, Soudan français

vintageblackbeauty:

Femme Sonraï

Femme avec coiffure.

1954, Soudan français

LUNA DE LECHE // LUNA DE FLORES

Mayo es el quinto mes del año en el calendario gregoriano. el tercero de la Primavera y tiene una duración de 31 días. Es el mes de las flores consagrado a Maia (Maya), la diosa romana de la primavera y los cultivos. Quintllis fue originalmente el nombre del quinto mes en el calendario romano (que después fue cambiado de lugar para ocupar el séptimo), el cual estaba ubicado después de Junio y antes de Sextilis. El amuleto tradicional de este mes es la Esmeralda y el Agota. Las flores de Mayo son el Lirio y la Azucena. Este mes es compartido por los signos de Tauro y Géminis. Las deidades más destacadas son Artemis, Bastet, Diana, Fauno, Flora. Pan y todos los Dioses y Diosas de la Fertilidad.


FIESTA PAGANA BELTANE

Otros nombres de este Sabbat: Día de Mayo, Bealtinne. Festival de Tana, Walburga, Whitsun, Viejo Bhellltainn, Samhradh, La Baal Tinne, Roodmas. Rudezas, Walpurgisnachf, Verano Celta, Gíamonios, Día de Tana, La Giornata di Tana. Floralia. Este Sabbat celebra la fertilidad y la unión de la Diosa y el Dios. En este tiempo la vida se está renovando, los animales se están apareando y en las praderas las semillas recién plantadas están comenzando a brotar. En la antigüedad, se bendecían los campos y en ocasiones las parejas de enamorados acudían a los prados para hacer el amor y ayudar así al renacimiento de la fertilidad de la tierra. Grandes hogueras se encendían en honor al dios de la fertilidad Belenos y se escogía una “reina de mayo” o un “hombre verde” quienes pasaban a ser los representantes de la Diosa y el Dios. El intercambio de cestas era también una costumbre para desear una buena fertilidad y un próspero verano. Se erigía un Maypole y cintas brillantes se colgaban en él (el Maypole es un símbolo que representa lo fálico masculino unido a unas cintas de colores suaves que representan lo femenino; la unión de los dos simboliza la unión de la Diosa y el Dios). Esta es la época de fertilizar nuestros sueños con la acción. Los niños concebidos en Beltane son dotados por los dioses.


CORRESPONDENCIAS DE BELTANE

Colores: verde oscuro, naranja, amarillo, rojo y blanco. Aspecto de las divinidades: El Dios y la Diosa llegan a la pubertad y despiertan sexualmente. Beltane celebra la boda de las deidades y ella se transforma de Doncella en Madre. Deidades: todas las Diosas Madre, Cemunnos, Afrodita, Arianrhod, Artemis, Astarté, Venus, Diana, Ariel, Var, Skadi, Shlela-na-gig, Cibeles, Xochiquetzal, Freya, Rhiannon, Apolo, Baco, Bel/Belanos, Pan. Herne, Fauno, Cupido/Eros, Odín, Orión, Frey, Robin Goodfellow, Puck.y El Gran Dios Cornudo. Hierbas, flores e Inciensos: madreselva, hierba de San Juan, todas las flores, olíbano, lila, rosa, angélica, jazmín, frutilla, menta, vainilla, sauce, flores de espino, romero. Piedras: coral, jade, perlas, cuarzo rosa, esmeralda, zafiro. Decoraciones: Maypole o Sebucán cadenas de granos o de flores, cintas, flores de primavera, cestas de Mayo, velas con formas fálicas, espejos, cálices. Alimentos: leche, galletas de avena, cerezas, fresas, vino, ensaladas verdes, cereales, moras, helados, tortas. Tradiciones: tejido de cestas de fertilidad, bolsitas de flores o hierbas para protección, elección de la Reina de Beltane o Reina de la Primavera, salto de hogueras, soplar cuernos, bailar alrededor del maypole o del sebucán.

Esbat de Mayo: Luna de la Liebre, también llamada Luna Brillante, Luna de las Flores, Luna de Leche, Luna del Plantado de Maíz, Luna del Dragón, Luna de la Pantera, Luna de la Díada (Cástor y Pólux), Luna de Gozo y Luna del Retorno de las Ranas.

En una luna propicia para la fertilidad y para acelerar proyectos.

  • ESBAT Luna Llena en Escorpio: 05 de mayo 2012 a las 23 horas 06’.
  • Luna Menguante en Acuario: 12 de mayo 2012 a las 17 horas 18’.
  • Luna Nueva en Géminis: 20 de mayo 2012 a las 19 horas 18’.
  • Luna Creciente en Virgo: 28 de mayo 2012 a las 15 horas 47’.”

aural awareness

GEORGIA ANNE MULDROW

“Sound is defined by vibrations that travel through the air or another medium and can be heard when they reach the ear. Yet there is more to it when one imagines the hearing process as an involuntary command placed upon the body to be processed instantly. This realization can lead us to use sound as a means to inoculate one another with positivity, encouragement, and a connective awareness if we so choose. However, there can be great difficulty experienced in the careless trance-mission of sound because the divine laws that create it to be so still carry the commands neutrally with the same amount of power! In our earth’s recent history, there has been a decline in the respect for this knowledge and a reward has been paid to those who willingly broadcast destructive sound wave commands across the Planet Earth as a means to incapacitate its inevitable spiritual ascension. Even so, there are those who await vibratory commands from beyond this dimension in order to awaken a revolution of the heart.”

heathershotyou:

frncsca:

bell hooks, 1992

“The function of art is to do more than tell it like it is-it’s to imagine what is possible.”  ― bell hooks

heathershotyou:

frncsca:

bell hooks, 1992

“The function of art is to do more than tell it like it is-it’s to imagine what is possible.”
bell hooks

(via blackcontemporaryart)

leebasays:

Jack T. FranklinBlack People’s Unity Concert1966

leebasays:

Jack T. Franklin
Black People’s Unity Concert
1966

(Source: blackmanonthemoon, via blackcontemporaryart)

otooles:

Nina Simone photographed by Charles Sawyer

otooles:

Nina Simone photographed by Charles Sawyer

(via monamade)

Black Chamber of Commerce host to mayor of Esmeraldas, Ecuador

lati-negros:

The first black mayor of Esmeraldas, Ecuador, visited Waukegan on Friday in search of sister-city economic partnership and cultural exchange.

Ernesto Alonso Estupiñan Quintero, an Afro-Ecuadorian who has led the oil- and fishing-port city of Esmeraldas since he was first elected in 2000, looked out on a room full of faces at the Black Chamber of Commerce of Lake County headquarters and said, through an interpreter, “I feel at home. I have reunited with my family.”

Afro-Ecuadorians are descendants of black Africans who escaped from Spanish slave ships. While they make up just 3 to 5 percent of the South American country, they are 70 percent of the population of Esmeraldas, home to Ecuador’s largest oil refinery. They have struggled to overcome poverty and racism, Estupiñan Quintero, said.

(via black-culture)

anacostiayogi:

Binahkaye of Joyism coined the term “Bootylogy” as she circled her booty from Trinidad to India activating open spaces and elevating spirits.
Binha teaches dance, writes short stories and showcased her remarkable acting skills in the play The Saartjie Project based in DC.
Find Binha at http://www.dancejoyism.com
Photo 1 by Renaldo De Silva Photography
Photo 2 by Colin A Danville

anacostiayogi:

Binahkaye of Joyism coined the term “Bootylogy” as she circled her booty from Trinidad to India activating open spaces and elevating spirits.

Binha teaches dance, writes short stories and showcased her remarkable acting skills in the play The Saartjie Project based in DC.

Find Binha at http://www.dancejoyism.com

Photo 1 by Renaldo De Silva Photography

Photo 2 by Colin A Danville

(via monamade)

37thstate:

African Turbanista

(Source: africanfashion, via porquepuedopuedes)

THERESA HAK KYUNG CHA

“DISEUSE

 

She mimicks the speaking. That might resemble speech. (Anything at all.) Bared noise, groan, bits torn from words. Since she hesitates to measure the accuracy, she resorts to mimicking gestures with the mouth. The entire lower lip would lift upwards then sink back to its original place. She would then gather both lips and protrude them in a pout taking in the breath that might utter some thing. (One thing. Just one.) But the breath falls away. With a slight tilting of her head backwards, she would gather the strength   in her shoulders and remain in this position.

It murmurs inside. It murmurs. Inside is the pain of speech the pain to say. Larger still. Greater than is the pain not to say. To not say. Says nothing against the pain to speak. It festers in-side. The wound, liquid, dust. Must break. Must void.

From the back of her neck she releases her shoulders free. She swallows once more. (Once more. One more time would do.) In preparation. It augments.   To such a pitch. Endless drone, refueling itself. Au-tonomous. Self-generating. Swallows with last efforts last wills against the pain that wishes it to speak.

 

She allows others. In place of her. Admits others to make full. Make swarm. All barren cavities to make swollen. The others each occupying her. Tumorous

 

layers, expel all excesses until in all cavities she is flesh.

She allows herself caught in their threading, anony-mously in their thick motion in the weight of their utterance. When the amplification stops there might be an echo. She might make the attempt then. The echo part. At the pause. When the pause has already soon begun and has rested there still. She waits in-side the pause. Inside her. Now. This very moment. Now. she takes rapidly the air, in gulfs, in prepara-tion for the distances to come. The pause ends. The voice wraps another layer. Thicker now even. From the waiting. The way from pain to say. To not to.  Say.

She would take on their punctuation. She waits    to service this. Theirs. Punctuation. She would become, herself, demarcations. Absorb it. Spill    it. Seize upon the punctuation. Last air. Give    her. Her. The relay. Voice. Assign. Hand it. De-liver it. Deliver.

She relays the others. Recitation. Evocation. Offer-ing. Provocation. The begging. Before her. Before them.

 

Now the weight begins from the uppermost back of her head, pressing downward. It stretches evenly, the entire skull expanding tightly all sides toward the front of her head. She gasps from its pressure, its contracting motion.

Inside her voids. It does not contain further. Ris-ing from the empty below, pebble lumps of gas. Moisture. Begin to flood her. Dissolving her.  Slow, slowed to deliberation. Slow and thick.

The above traces from her moving downward   closing her eyes, in the same motion, slower parting her mouth open together with her jaw and throat which the above falls falling just to the end not stop-ping there but turning her inside out in the same motion, shifting complete the whole weight to elevate upward.

 

Begins imperceptibly, near-perceptible. (Just once. Just one time and it will take.) she takes. She takes the pause. Slowly. From the thick. The thickness. From weighted motion upwards. Slowed. To deliber-ation even when it passed upward through her mouth again. The delivery. She takes it. Slow. The invok-ing. All the time now. All the time there is. Always. And all times. The pause. Uttering. Hers now. Hers bare. The utter.”


Ibu Aña Oxun

sexualvoodoo:

Paths of Oshun

Ibu Kole

This path of Oshun is known as the vulture. Ibu Kole is the Oshun that reached the house of Olofi to tell him that the people on the lands were dying of thirst. With that said Olofi took off the punishment off the land and let rain fall again. This Oshun is said to be a very magical witch. She takes 5 little mortars where additional secrets are kept where her initiate can make powerful spells. Her colors are honey, coral, amber and onyx stone. She is adorned with feathers of a vulture. Her children must have a guiro where an Osain is kept that hangs over her to keep Ibu Kole in one spot and to make sure she is there in here tureen. When this Oshun comes down she dances like if she was a bird, swaying her arms up and down as if she was in flight.

Ibu Ololodi

This Oshun is said to be a great warrior. She wears pants when she goes to war. She rides on a horse and she uses a sword in battle. Ibu Ololodi is also the wife of Orula and she is his preferred apetevi. Her enemies can never defeat her. She protects her children to the up most. She takes the table of Ifa with the ekueles and the irofa. You can put iron implements to her. The owl is her messenger and she is invoked with a copper cow bell. Ololodi also takes a needle and thread as she is seen sewing on her off times at the bottom of the river. She is the mother of Aporoye and Oloshe. This Oshun takes everything double due to a pact she did with Boyuto. If you give her a mirror another one should be placed to her. If you give her one bottle of perfume there has to be another. She is the protector of the home. When this Oshun comes down she is very repugnant and she speaks very stern to her followers. Her colors are honey, coral with touches of green and yellow to represent the marriage she had with Orula.

Ibu Akuaro

Ibu Akuaro is the Oshun that lives where the river and the ocean meet. She is said to live and reign there. She loves the corodniz (cornish hen) and they are here messengers. It is said that with the feathers of the corodniz, you must sew her a net that lives on her. This is due to a story where she was running from Chango and a group of corodniz covered her completely so Chango would not find her. She takes a cane which is covered with the feathers of the corodniz as well and is consecrated where the river and ocean meet. Her colors are a pale yellow, coral, onyx, green and white. When Ibu Akuaro comes down she is seen to be shaken, imitating the corodniz.

Ibu Yumu

She is one of the oldest Oshun. She lives at the bottom of the river sewing as she knows the craft to sew beautiful cloths. She doesn’t like to be bothered that much as she sits in her rocking chair at the bottom. When she is bothered she comes out from the bottom of the river and she fights. She as well as Ibu Ololodi is called with a copper cow bell. This path of Oshun is hardly to come down.

Ibu Aña

This Oshun is very young and she loves to dance. She is said to be where ever the Aña (sacred drum) is playing. She dances all day and all night until the Aña stops playing. At her tureen you must have 3 little drums that represent the Aña at her feet. She is always dancing in front of the drums holding her breast and laughing. A child of this particular orisha is said to always be partying and dancing and whenever they step into a ceremonial drumming, if they are a horse of the orisha, Ibu Aña will make her presence. Her colors are honey, yellow, coral, onyx and red. When she comes down she is always dancing and may take the time out to speak to her followers.

Ibu Ileke Oñi

This Oshun is a fighter and she gets what she wants. When she is determined she gets her results. This Oshun walks with a walking stick and she is always seen near the river banks covering her body with her honey. If she is not near the river you can see her next to a pariso tree. She walks with a net that’s tied around her waste. This Oshun has 4 necklaces that she wears. One is made of the peonia seeds, other is made of all coral, another of all onyx stones and a bead of honey and yellow beads.

Ibu Itumu

This path of Oshun is said to reside in the lagoons. She is always dressed in pants and a shirt like a man. She is very tall and she is always seen with Inle and Asojano.

Ibu Aremu Kondano

This Oshun is said to be the first Oshun that ever came down from Olofi’s castle to the earth. She is dressed all in white and her color is off white with coral with just a touch of yellow and green. She is said to have helped Orula out is certain occasions. She is very mysterious.

Ibu Asedan

This path of Oshun is said to be also a warrior. She rides a horse as well as Ibu Ololdi when she is at war. This Oshun is seen with a sword in one hand riding to battle. Her sacrificial foods must be offered with a ring or gold oar through its nose. Her color is honey, yellow, red and onyx.

Ibu Eyede

This is Oshun is known to be a queen. She is seen with all her fine dresses and jewelry. She doesn’t like anything dirty or messy around her. Her sacrificial foods are sacrificed on top of a yellow plate that sits next to her.

Ibu Iña

This Oshun loves to debate and argue. She is a rare Oshun and is always seen by the river sands combing her hair with her coral comb. She loves to cook and she loves to fan herself with her fan made of African grey tail feathers and bells.

Ibu Iñale

This is the daughter of Ibu Aña. She lives on the beach and river sands on top of all types of money. She does not like to give money as it is all for her.

Ibu Tinibu

This also is a rare Oshun. She is the boss of the Iyalordes. She loves to go out at night never during the day. She is said to be riding the river in a boat listening and answering her petitioners.

Ibu Idere Lekun

This Oshun lives in the caves alongside the sea where the waves enter and hit the rocks of the caves. Where they turn into rivers and travel on the inside of mountains. She has a deformed face and she is seen playing a small drum made out of bamboo.

Ibu Aye

This is an orisha that maintained and positioned the riches of Oshun on earth. When Oshun was spending her money like crazy she found herself without any money. Ibu Aye reaffirmed her money and showed her the right way to maintain and control it. This is a orisha that is received on its own. Her color is honey, onyx and her necklace is made the same with 5 shells intertwined in between.

Ideu

This is said to be the lost child of Oshun. Where Iroko took him from her for the promises that she owed Iroko. He is the third child that Oshun had after the twins. He is received on its own and is said to watch over the riches of his mother Oshun. He lives in a yellow tureen where his secrets are kept with a doll of a boy dressed in yellow. His original bead is yellow with red stripes on them, gold and coral.

Ajé Shalunga

Ajé Shalunga or Cobo is the orisha of prosperity and abundance. He is used to help bring money and prosperity into ones life if there are worthy and right for it. His secrets are kept in a small sopera or vessel and his secrets are slightly born in a different way as to the other orishas. Same chants and sacrificial foods, but certain things change when he is born that cant be discussed here. He is also born with multiple coins from all parts of the world. It is said that when he is born, depending on the sign that he comes with, he will live next to a certain orisha in which he will bring prosperity to you. Only if your worthy! Don’t think by receiving him you are going to win the lottery or anything. Only if Olofi says your worthy for that. But health is also another form of prosperity and that he can bring to you. He has no specific color but his chain is made of different shells and coins.

Yeye Lamba

This is an orisha that is said to have been the cook of Oshun. She taught Oshun how to cook all sorts of sweets and foods for her town. She is an orisha that is received and her tureen is kept either with the other orishas or live near or in the kitchen. Alongside her secrets, one puts a wooden spoon and fork to her with different bags of dried foods.

(via theanimalnamesofplants)

naijaboi:

Wangechi Mutu is Afrofuturism
as part of my study i have been researching afrofuturism and am loving wangechi mutu. she is a fierce as visual artist/ new media artist who work challenges the notions of womyn of color specifically black womyn in africa and the us. she is kenyan born and now lives in brooklyn.
she explores themes dealign with the depiction of womyn/ race/ class.  her themes are post-colonial, sexism, racism, environmental racism, commodification.
you can find more info on her online.

here is the trailer for wangechi mutu

http://vimeo.com/41293786

The triptych: Wangechi Mutu

she is part of a three part documentary afro punk collective has done. tickets are $12. 

Brooklyn Musuem


Film Screening: Afro-Punk Pictures in association with Weeksville Heritage Center presents The Triptych

Thursday, May 24, 2012 at 7 p.m. 

Afro-Punk pictures presents The Triptych (Dir. Terrance Nance, Codir. Barron Claiborne, Dir. of Photography Shawn Peters), in association withWeeksville Heritage Center. This short-film series highlights the work of artists Sanford Biggers, Wangechi Mutu, and Barron Claiborne. Live music and a Q&A with the artists will follow the screening. This event is supported by Heineken.

As space is limited, advance purchase of nonrefundable tickets for general admission and a reserved seat at the screening is recommended via www.museumtix.com. Members receive free admission; please call the Membership Hotline at (718) 501-6326 for reservations.

(via afrofuturistaffair)

vintageblackbeauty:

Femme Sonraï
Femme avec coiffure.
1954, Soudan français

vintageblackbeauty:

Femme Sonraï

Femme avec coiffure.

1954, Soudan français

LUNA DE LECHE // LUNA DE FLORES

Mayo es el quinto mes del año en el calendario gregoriano. el tercero de la Primavera y tiene una duración de 31 días. Es el mes de las flores consagrado a Maia (Maya), la diosa romana de la primavera y los cultivos. Quintllis fue originalmente el nombre del quinto mes en el calendario romano (que después fue cambiado de lugar para ocupar el séptimo), el cual estaba ubicado después de Junio y antes de Sextilis. El amuleto tradicional de este mes es la Esmeralda y el Agota. Las flores de Mayo son el Lirio y la Azucena. Este mes es compartido por los signos de Tauro y Géminis. Las deidades más destacadas son Artemis, Bastet, Diana, Fauno, Flora. Pan y todos los Dioses y Diosas de la Fertilidad.


FIESTA PAGANA BELTANE

Otros nombres de este Sabbat: Día de Mayo, Bealtinne. Festival de Tana, Walburga, Whitsun, Viejo Bhellltainn, Samhradh, La Baal Tinne, Roodmas. Rudezas, Walpurgisnachf, Verano Celta, Gíamonios, Día de Tana, La Giornata di Tana. Floralia. Este Sabbat celebra la fertilidad y la unión de la Diosa y el Dios. En este tiempo la vida se está renovando, los animales se están apareando y en las praderas las semillas recién plantadas están comenzando a brotar. En la antigüedad, se bendecían los campos y en ocasiones las parejas de enamorados acudían a los prados para hacer el amor y ayudar así al renacimiento de la fertilidad de la tierra. Grandes hogueras se encendían en honor al dios de la fertilidad Belenos y se escogía una “reina de mayo” o un “hombre verde” quienes pasaban a ser los representantes de la Diosa y el Dios. El intercambio de cestas era también una costumbre para desear una buena fertilidad y un próspero verano. Se erigía un Maypole y cintas brillantes se colgaban en él (el Maypole es un símbolo que representa lo fálico masculino unido a unas cintas de colores suaves que representan lo femenino; la unión de los dos simboliza la unión de la Diosa y el Dios). Esta es la época de fertilizar nuestros sueños con la acción. Los niños concebidos en Beltane son dotados por los dioses.


CORRESPONDENCIAS DE BELTANE

Colores: verde oscuro, naranja, amarillo, rojo y blanco. Aspecto de las divinidades: El Dios y la Diosa llegan a la pubertad y despiertan sexualmente. Beltane celebra la boda de las deidades y ella se transforma de Doncella en Madre. Deidades: todas las Diosas Madre, Cemunnos, Afrodita, Arianrhod, Artemis, Astarté, Venus, Diana, Ariel, Var, Skadi, Shlela-na-gig, Cibeles, Xochiquetzal, Freya, Rhiannon, Apolo, Baco, Bel/Belanos, Pan. Herne, Fauno, Cupido/Eros, Odín, Orión, Frey, Robin Goodfellow, Puck.y El Gran Dios Cornudo. Hierbas, flores e Inciensos: madreselva, hierba de San Juan, todas las flores, olíbano, lila, rosa, angélica, jazmín, frutilla, menta, vainilla, sauce, flores de espino, romero. Piedras: coral, jade, perlas, cuarzo rosa, esmeralda, zafiro. Decoraciones: Maypole o Sebucán cadenas de granos o de flores, cintas, flores de primavera, cestas de Mayo, velas con formas fálicas, espejos, cálices. Alimentos: leche, galletas de avena, cerezas, fresas, vino, ensaladas verdes, cereales, moras, helados, tortas. Tradiciones: tejido de cestas de fertilidad, bolsitas de flores o hierbas para protección, elección de la Reina de Beltane o Reina de la Primavera, salto de hogueras, soplar cuernos, bailar alrededor del maypole o del sebucán.

Esbat de Mayo: Luna de la Liebre, también llamada Luna Brillante, Luna de las Flores, Luna de Leche, Luna del Plantado de Maíz, Luna del Dragón, Luna de la Pantera, Luna de la Díada (Cástor y Pólux), Luna de Gozo y Luna del Retorno de las Ranas.

En una luna propicia para la fertilidad y para acelerar proyectos.

  • ESBAT Luna Llena en Escorpio: 05 de mayo 2012 a las 23 horas 06’.
  • Luna Menguante en Acuario: 12 de mayo 2012 a las 17 horas 18’.
  • Luna Nueva en Géminis: 20 de mayo 2012 a las 19 horas 18’.
  • Luna Creciente en Virgo: 28 de mayo 2012 a las 15 horas 47’.”

aural awareness

GEORGIA ANNE MULDROW

“Sound is defined by vibrations that travel through the air or another medium and can be heard when they reach the ear. Yet there is more to it when one imagines the hearing process as an involuntary command placed upon the body to be processed instantly. This realization can lead us to use sound as a means to inoculate one another with positivity, encouragement, and a connective awareness if we so choose. However, there can be great difficulty experienced in the careless trance-mission of sound because the divine laws that create it to be so still carry the commands neutrally with the same amount of power! In our earth’s recent history, there has been a decline in the respect for this knowledge and a reward has been paid to those who willingly broadcast destructive sound wave commands across the Planet Earth as a means to incapacitate its inevitable spiritual ascension. Even so, there are those who await vibratory commands from beyond this dimension in order to awaken a revolution of the heart.”

heathershotyou:

frncsca:

bell hooks, 1992

“The function of art is to do more than tell it like it is-it’s to imagine what is possible.”  ― bell hooks

heathershotyou:

frncsca:

bell hooks, 1992

“The function of art is to do more than tell it like it is-it’s to imagine what is possible.”
bell hooks

(via blackcontemporaryart)

leebasays:

Jack T. FranklinBlack People’s Unity Concert1966

leebasays:

Jack T. Franklin
Black People’s Unity Concert
1966

(Source: blackmanonthemoon, via blackcontemporaryart)

Ibu Aña Oxun
aural awareness

About:

"...No morirá la flor de la palabra. 
Podrá morir el rostro oculto de quien la nombra hoy, 
pero la palabra que vino desde el fondo de la historia y de la tierra 
ya no podrá ser arrancada por la soberbia del poder.
Nosotros nacimos de la noche. En ella vivimos. Moriremos en ella. 
Pero la luz será mañana para los más, para todos aquellos que 
hoy lloran la noche, para quienes se niega el día, 
para quienes es regalo la muerte, para quienes está prohibida la vida. 
Para todos la luz. Para todos todo. 
Para nosotros el dolor y la angustia, para nosotros la alegre rebeldía, 
para nosotros el futuro negado, para nosotros la dignidad insurrecta. 
Para nosotros nada..."

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